Movies

Breaking points

New films from China teem with 21st century angst

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Bad company

Stage hit 'August: Osage County' loses potency on the big screen
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This stuff'll kill ya

Feed your genre needs at Another Hole in the Head

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cheryl@sfbg.com

FILM Clad only in a dingy T-shirt and tighty-whities, with an overgrown beard and a hollow look of defeat in his eyes, shut-in Ian (Adrian DiGiovanni) spends his days channel-surfing and plotting ways to commit suicide. When his beloved vintage TV ("His name was Kent," he tells the camera, in the first of many direct addresses) fizzles, smokes, and goes dark, he finally takes action.Read more »

La ho-hum vita

'The Great Beauty' has style, but doesn't live up to the hype

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arts@sfbg.com

FILM Paolo Sorrentino has only been directing features for 12 years, so perhaps it's premature to expect a masterpiece from him — although he probably doesn't think so. Amid generally tepid post-millennium Italian cinema, he's been consistently ambitious and bold, from 2001's One Man Up onward. That facility has won a lot of acclaim (most notably for 2008's Il Divo), but also attracted a certain amount of skepticism: Is he more style than substance? What does he have to say?Read more »

Re-framed

BOOKS ISSUE: A new book showcases creative cult-movie poster art

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LIT Forget the glossy one-sheets you've seen reproduced a thousand times. Read more »

Chocolate + 'The Hunger Games: Catching Fire' = irony that tastes gooooood

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When I got to work Friday morning, I found the Arts and Culture editors, along with our publisher, huddled outside a cubicle, mouths agape. I joined them. A large rectangular box sat on the desk. Reminiscent of the strange stone tablet from 2001: A Space Odyssey (1968), it rose up from the desk, black, and ominous, only this one gleamed with golden letters, spelling out “Catching Fire.” Inside, I found chocolate.

(Here’s a quick rule of thumb in the newsroom: You will get promotional gifts. Another one: rarely will a promo grab your attention. But my favorite is: Do not let thy promo go to waste.)

I did what any food writer would do. I tasted each and every last chocolate bar — a total of 12, one for each “District” inside the post-apocalyptic world of Suzanne Collins’ trilogy The Hunger Games. (The timing of this delivery, of course, is to whet one's appetite for The Hunger Games: Catching Fire, out Nov 22). Crafted by chocolate makers Vosges through their American farmer-sourced Wild Ophelia line, each chocolate bar incorporated aspects of American geography, on which Panem, the segregated, classist country where heroine Katniss lives, was based.

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Hot and cool

Love story 'Blue is the Warmest Color' courts acclaim — and controversy

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arts@sfbg.com

FILM The stars say the director was brutal. The director says he wishes the film had never been released (but he might make a sequel). The graphic novelist is uncomfortable with the explicit 10-minute sex scene. And most of the state of Idaho will have to wait to see the film on Netflix.Read more »

Camp classic

Bloody long, and bloody fun: 'Crystal Lake Memories' documents the 'Friday the 13th' franchise in its gory entirety

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cheryl@sfbg.com

FILM Daniel Farrands' 400-minute documentary Crystal Lake Memories: The Complete History of Friday the 13th received coverage last month in an unlikely outlet: the New York Times. "A Seven-Hour Documentary About a Horror Franchise? The Director Explains," read the skeptical headline.

"A seven-hour documentary about a horror franchise?" I said. "Gotta get my mitts on that!"Read more »

The truth hurts

Boxing, bigots, beauty, booze: Weighty themes permeate SF Jewish Film Festival docs

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